Lonnie Ratliff Country Music Newsletter

July 13th. , 2008  

Note: New Subscribers that would like to read old NEWSLETTERS just click the LINK below

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 Number of NEWSLETTER subscribers: 5,826

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Need your input for this NEWSLETTER - Any suggestions ? What are your favorite sections ?

E Mail me your comments  Lonnie Ratliff     NashvilleShowcase@comcast.net

 

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ATTENTION!

   I think you will get a kick out of the short story at the bottom of this Newsletter. 

Jerry Don Ratliff & The Sandy Springs Bigfoot.

I am leaving this short story in this week so everyone gets a chance to read it. I also don't have anything else ready.

Have a great week. - Lonnie

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..

 

"Spotlight Artist"

" Arly Karlsen (Norway)"

"click" PHOTO below for website

Arly Karlsen (Norway)

Arly Karlsen was born in 1954, near Kristiansand in South Norway. Growing up in a typical farming district, Arly bought his first guitar at the age of twelve. After that he set out on a path built upon a deep-rooted love of music and a desire to entertain, and went on to become lead singer and guitarist in numerous popular Norwegian bands during the 1970s.
 
At the start of the 1980s, Arly and fellow musicians Arne Løland and Liv Jorunn Heia formed "Western Swingers". Their debut album was released to great acclaim in 1983: "Sin egen Stil", and sold more than 20 000 copies across
Norway
. The band attracted a large fan-base through constant concert dates and TV/radio exposure, made 5 albums, selling hundreds of thousands of copies. They called it a day in 1996.

Arly focused on his business interests until 2001 when he launched a solo career. He writes a lot of the songs he records and performs live, and has co-written with several International songwriters including
Americans Red Lane
, Hank Cochran, Billy Don Burns, Danish writers Peter Borup and Ivan Johnsen; Norwegians Jan Vincents Johannessen and Arne Benoni.

Arly's debut solo album "Beyond The Mountains" was recorded in
Denmark
for Selina Records with producer Dion Egtved, and released in 2002. The Album contains classic country songs and brand new material from Arly and Danish songwriters.

The follow-up, "Country Home", was recorded in
Nashville and released in March 2004. It featured duets with Nashville-based country stars Red Lane, Pat Roden and Billy Don Burns.  Arly’s self-penned tribute to Johnny Cash, "Here’s To You (The Man in Black)", was the stand-out track from this album, and even Johnny’s brother, Tommy Cash, and his little sister, Joanne Cash Yates, said the song was one of the best Johnny Cash tributes they’d ever heard. "Country Home" has received huge airplay all over the World.

 

Arly's third solo-album, "Sweet Honky Tonk", was recorded again in Nashville during October 2004. Released in Scandinavia in May 2005 with a massive television, radio and press campaign. The Album contains classic country songs, and brand new material written by Arly. It features two duets with female country singers, Pat Roden (Nashville) and Pauline Reese (Texas). "Sweet Honky Tonk" has received outstanding reviews around the world; many radio stations have made it "album of the month" and fans have flooded Arly's website with emails and guestbook entries telling him it is the best CD he has made so far.

Arly’s music has been a favourite on radio stations worldwide, and the many singles he has released across
Europe
and around 30 countries, have established him as one of the most played country artists of the 21st century. Topping the prestigious European CMA Chart - the oldest country chart outside of Nashville, compiled from Spain - several times, including a 6 week spell for a duet. He was #1 several times on the "Worldwide Most Played Chart". Arly's music video for "Here's To You (The Man in Black)" has been shown several times on National Norwegian and Danish Television, and Comcast TV in Nashville.

It was no surprise that he was voted "World's Future Star" in 2004, a contest run from
Nashville to find the next big thing in undiscovered talent, with artists entering from many countries globally. Arly represented Europe
and scooped the top prize.

Arly has performed shows in Europe and USA, including major festivals such as "Norsk Countryfest" at Breim in Norway; "Country Music Messe" in Berlin; "SCC Country Music Festival" in Silkeborg, Denmark; and concerts in USA at "Nashville Cowboy Church" (on stage with Joanne Cash Yates); "Second Fiddle" and "Legends Corner" in Nashville.
New Zealand
country fans took Arly to their hearts when he toured there with Kiwi Joy Adams in November 2004 (combining his work with his honeymoon!)

Arly has shared the stage with some of the biggest names in country music, including Joanne Cash Yates; Wanda Jackson; Johnny Logan; Billy Yates; The Bellamy Brothers; Dale Watson; Lucie Diamond; Joy Adams; Erin Hay; Billy Don Burns; Bjøro Håland; Heidi Hauge; Arne Benoni; Tomboola Band; Tamra Rosanes and numerous other US and European artists.

Arly loves to work with different artists from other countries and backgrounds. He paired up with the
UK's # 1 country star, Lucie Diamond, in 2005 to record two duets. In September, their version of the classic 'Always On My Mind' will be released worldwide - the very first time the song has been covered as a duet. In August 2005, Arly invited Lucie to guest with him at the famous SCC Country Festival in Silkeborg, Denmark - Scandinavia's largest country music festival - opening for The Bellamy Brothers, to sing the duet live for the first time ever. Lucie and Arly were THE hit of the entire festival. They plan to work together again.

Arly has a voice with a huge range - one moment mining the depths of a bass-baritone and then squeezing every inch of sweetness out of his unique vocal instrument. Above all else, he lets you experience his feelings contained in his music, easily conveyed to the listener. Arly sings with passion, feeling and emotion - at all times!

Arly will never be predictable. Nor will he churn out the same old country year after year. His reputation for quality music and a huge talent, spreads ever wider day-by-day - massive hits on his website, testament to that.

"Arly. Unique by name, unique by nature." 

 

 "Click" buttons below for more  Arly Karlsen (Norway)  websites

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A message from Lonnie Ratliff

 

Thanks a lot for all the feedback I have been
getting from subscribers for my little short stories
I have been posting at the bottom of the NEWSLETTERS
If you are up for a bizarre tale don't forget to scroll down
this week and read
Jerry Don Ratliff & The Sandy Springs Bigfoot
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Gary Bradshaw has a new MESSAGE BOARD Gary's Country Music Coffee Shop (No Playlists) where we can all hang out and exchange information.  If you have any music questions you can post them there and odds are someone can get an answer for you or tell you who can.  It is set up to be a fun place so stop in a couple of times a day and see what's going on. Don't forget to BOOKMARK or ADD TO YOUR FAVORITES
 
Gary's Country Music Coffee Shop
http://members.boardhost.com/GaryBradshaw/

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As an introduction to Erin Hay's music we are going to have a
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FREE CD DRAWING
THE COLLECTION ~ Erin Hay
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Giving away 5 copies of this 23 song CD
Friday July 18th.
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Here's the simple instructions to enter the drawing.  Send me an E Mail with
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ERIN HAY CD
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in the E Mail subject line to the following E Mail address
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Do not just hit reply to this Newsletter to enter drawing. 
Do not just hit reply to this Newsletter to enter drawing. 
Do not just hit reply to this Newsletter to enter drawing. 
.
That won't work. You will think you have entered but you will be wrong. 
If you really want to have a chance at winning. 
Click on this E Mail address NashvilleShowcase@comcast.net         
 
 and send me an
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E Mail that says  ERIN HAY CD  in the subject line.  If I draw your name as one of the
5 winners I will E Mail you and ask you where to send the FREE CD.  Lonnie
______________________________
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______________________________
"Click" BANNER above to watch Erin Hay on YouTube
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Click PHOTO to play Lo-Fi MUSIC SAMPLES
from this 23 song CD
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 " Nashville Nightlife Internet Radio Show "

 

 

 
 "click" ICON below for Radio Show
 
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 +++++++++++++++++
"Hangin' Out With Uncle Willam"
+++++++++++++++++
 
Would I Do It Again?
 
In 1965, I did something that some people I had known since childhood considered downright dumb.  I moved to Nashville to become involved in the music endeavor as a fulltime career.  My basic idea was to play guitar and write songs, but the foundation of the move was to find a way to be useful to country music.  After all, only to the extent that I was useful to the music community could the music community be useful to me, as in making a living.
 
Forty-plus years later and the statistics are interesting.  I made more money as an actor than I did as a songwriter (at least so far) and I made more money as an entertainment journalist than I did as an entertainer.  So how useful was I able to be?  Well, let's see ... I had a hand in "Blue Eyes Crying In The Rain" being the single from the "Redheaded Stranger" album, I wrote the first article that found Larry Gatlin on the cover of a national publication, I came up with the title of an Everly Brothers album, I wrote the text for an "Ivory Joe Hunter Day" resolution signed by the governor of Tennessee, I've seen at least one gag on "Hee Haw" that came directly from a suggestion I made on the set, and I helped write segments of both the Johnny Cash Show and the comedy section of the Florence Henderson cooking show on TNN.
 
Doesn't sound like a lot for forty years, so there were surely other things I did.  My primary point is that I did whatever I had the opportunity and/or ability to do.  Oh, yeah, for the sake of clarification, when I said "more money," at no point are we talking about the amounts of money people normally associate with show business -- the same year I appeared in a movie with Gregory Peck (which paid  REALLY well), my gross income for that year still left us within the national poverty level.  For the third of the first three years we were in town.
 
Looking back over the long hours, the poor pay, and the conglomerate effect of being a part of the music endeavor yet not having any significant success in the realization of my dream of becoming a major songwriter and a viable entertainer, would I do it again?  Those questions are not very realistic because we can NOT go back and the general timing is always a factor, but, in my case, it is a valid question.  And the answer is "yes" on one hand and "probably not" on the other.
 
Would I try to make a living in the music business TODAY, even if I were younger but knew what I know today?   No.  I would do what I see so many really cool people do -- find a job, maybe somewhat related to music, that pays the bills and go pick and grin on the weekends with no worry of "what's hot" this week.  Actually, that's what I did back in the 'Fifties and early 'Sixties -- when I graduated from high school (1958) I didn't really like where The Music Industry was, so I went to college with the idea of teaching high school English and history -- wow, that would give me three months every year to play music or maybe even write a book.  Before I graduated, I got a job in law enforcement communications, so I thought THAT would be a good way to feed the music habit.
 
However, two years after graduating from college, the complexity of the Nashville music community had taken on a number of factors that screamed its head off:  "Hey, Bill Littleton, we're having a lot of fun, we're making good money, and they even let us play music!!!"  Ah, such temptation.  And I caved!!!
 
Sure enough, we had a LOT of fun even though the money never got overly plentiful for me, and I did get to play in addition to LISTEN to an enormous amount of music.  None of this is of any value, however, unless you can relate personally.  Should YOU move to Nashville, should you try to make it a fulltime career, should you ...?  Well, you're the only person with those answers.  I made the move back then because I didn't want to spend the rest of my life wondering if I could have "made it."  I still don't know because there were a lot of factors involved.  From one perspective, I DID "make it." 
 
Between Connie and me, we made enough money to buy a very nice house and live in an incredible circle of wonderful people.  A life enriched by the quality of life if not the balance in the bankbook.  A life enriched by watching history unfold and even jerking on a couple of those folds as they resisted straightening out.  A life enriched by genuine friends who are still friends beyond the fastlane period when I was surrounded by folks who saw me as The Guy From PERFORMANCE, a GPTK ("good person to know).  That inner circle is smaller than the big circle, but that's good; it works like any other neighborhood -- you may know and be known by everybody in town, but the real friends are never in big numbers.  After all, there are just so many folks who can fit around your kitchen table or eat hotdogs on your deck.
 
But, you know what?  The real friends are what it's all about.  Had the internet and MySpace been available back in the 'Sixties, I might have stayed in Carolina.  Nashville has been a good mix for me; I'm glad I've been here all this time, but I'm also glad I don't have to fight the Music Row fight today.  We didn't think of it as a fight back then; it was simply "hustling around to do what we could do;" today's major label domination by international conglomerates brings an urgency I choose to avoid.  Life is good.
 
Bill Littleton
 
 
 
There's always a chair with your name on it at Uncle Willam's Place  http://www.unclewillamsplace.com
And you're welcome to hang out at http://www.MySpace.com/BillLittleton

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 "Click Banner Below for Lonnie's Website"

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When you "Click" on the ICON above the DOWNLOAD for iTunes 7 will be in the upper right corner of page

Shop for music, movies, TV shows, audiobooks, podcasts, and games. For Mac + PC.

Tired of paying $15 bucks for a CD and it only has one or two good songs on it ?
Just "click" on the ITunes ICON above and download their simple little
program to your computer then "click" on any PHOTO below and you
can browse through all the songs on the CD, listen to samples from
each song and then buy legal downloads of the songs you like
for .99 cents.  Might as well learn how to do this now if you
don't know how because this is the way music sells
are heading and it makes so much sense.
.
.
________
Joe Sun__________Erin Hay____Kellie Pickler________Joni Compretta__THORNBIRDS
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Leona Williams______Becky Hobbs________Craig Morgan__Erin Hay___________Heather Myles
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Brad Paisley_______Lacy J Dalton___________Blake Shelton______Joe Nichols____Wanda Jackson
.
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Erin Hay______Bobby Bare_______Carrie Underwood______Jim Reeves______Dale Watson
.
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Taylor Swift___Mike Anderson_____Miranda Lambert__Western Swing__Susie Hopman
.
________
Erin Hay_______Joe Diffie____Connie Smith_________Danny Griego_____R Rated Party CD
.
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Links below for those of us easily amused
.
 
.
Andy Kaufman Elvis impersonation (1979 Johnny Cash show)
.
http://www.youtube.com/watch?v=mzl0O8rsgAM&feature=related
.
A Walking Tour of Nashville, Tennessee
Just "Click" Next to walk through the 10 Photos showing Nashville Lower Broadway  sights
http://nashville.about.com/od/historyandsites/ss/lowerbroad.htm
.
Goldie Hawn explains Time Zones
.
http://www.youtube.com/watch?v=4b7BGBa6MTI
. 
Goose Attack
http://www.youtube.com/watch?v=Yd6Tp-dTisw
.
Rabbit Bites Snake
http://www.youtube.com/watch?v=G9YnCIEDE1Y
.
South Park / Harry Potter (Ginger Kids) Rated -"R" (Language)
.
http://www.youtube.com/watch?v=n4yvY6vqFO0
 
Here's a "Live" Cam of Broadway in Nashville.
 
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Artists & Songs Produced by Lonnie Ratliff
"click Photos for websites
     Summer Rock Swedish Tour 2008   
"Joni Compretta"  

 

Hello friends,

Just wanted to take a few minutes to tell everyone about my trip to Sweden a few days ago. It began a little rocky because I was supposed to fly out on Saturday June 7th, however, I arrived at the airport only to be told my flight was delayed until the next morning. Oh well, what can you do but go with the flow of things.So I didn't leave until Sunday, arrived in Sweden Monday around 11 AM and went straight to the venue of our first show. I felt a little rough but hey, the show must go on. The Cadillac Band and I ran through a quick sound check and it was "Showtime"! Needless to say the show went great and the audience was wonderful!

We had 2 days in between the next shows so I went to studio 88 near Gothenberg and met Werna the station's DJ, we did a radio interview and it was great to autograph her wall of fame! Lol! She's a great lady! Anyway, we saw some of the city and headed back to our hotel. The next day was practice which went very well, the guys in the band are very talented.

Friday we traveled 4 hours to Malmo to do a private party at this giant stadium. We went on at 10 PM and played for 3 hours to the most lively crowd I've ever seen, what a great time! The show ended at 1am we drove 4 hrs back arriving at 6am. We had to be ready to leave by 10 am to do the Nostalgia festival that day.

The Nostalgia Fest was so much fun and interesting for me. We performed at 11am and 2pm. In between I went to see all the antique cars and old vintage products that were on display from the 1950's, it was amazing what excellent condition all this stuff remained over the years. It's amazing to see what kind of influence American culture had on Sweden during that decade.I met many new fans and friends here, just wished I wasn't so sleepy!

Sunday we did a show in Floda Lada, it had a great turnout and I must say that show Rocked! Everyone was dancing and feeling the music, even the guys playing with me! There was just some kind of energy in the air!

While in Sweden,I made such wonderful, lifelong friendships with the guys in the band as well as the show! Mr.B, Rockin' Ronnie, Mats, M.P, Ulf, James Wages (AKA Elvis), Peter Jezewski, Tommy Blom and the one and only BB Cunningham( Jerry Lee Lewis' Bass Player).  Not to mention Eva & Claus the owners of the hotel we stayed in, Donna ( James' fiancee), and Peter,Charlotte, Ann and their daughter Camilla,Sven , Svadja,Peter and Mikael and Michel . I will never forget the kindness and warmth they showed me while there! I love you guys! and can't wait to see all of you soon in Memphis!

Joni Compretta

 
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    THORNBIRDS - Rise To The Occasion
"Click" PHOTO above to listen to Lo-Fi
Song Samples from this CD
 
Although we produced this CD 8 years ago I feel like it still holds up well today - Lonnie
 
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Where are they?.. Who are they?.. What are they?..

Well...let's start with the Where...Nashville, Tennessee. When you think of Nashville, you automatically think of country music and no doubt the THORNBIRDS are heavily influenced by country but they are also influenced by blues and bluegrass, by pop and rock, and by gospel and maybe a few other genre thrown in along the way.

Now let's go with who are they...the THORNBIRDS are three talented women, Pat Roden, Mony Smith and Lana Brown. Each of these ladies an excellent lead vocalist in their own right but also a superior harmony singer as well. Each of these artists has recorded albums on their own and each has performed all over the world.

Now then...what are they?.. Well, they are a group built on an idea conceived by their two producers, Lonnie Ratliff and Jim Carter. That idea is vocal performance and quality of song, the two most important aspects of their music. (We're not saying we don't like drums and guitars...we're saying that for the music of the THORNBIRDS, drums and guitars are not the focal point) The goal is not to have every song sound like a radio single. The goal is quite simply to make music that is timeless.

We would like to explain the THORNBIRDS music with two short illustrations:

Number one: Imagine long ago and far away you were listening to the radio and you heard a new song by Johnny Cash. You knew you had never heard the song before so you knew that Johnny had a new album. You go to your mother and after fifteen minutes of begging she gives you enough money to go to your local record store and buy the album. You go... you buy it... you bring it home... you play it... you love it... every song is great... it knocks you out from beginning to end...that's the THORNBIRDS!!!

Number two: You're driving across the dessert in a 1957 Chevy. You've got all the windows rolled down and the wind is as warm as an angel's breath. The stars are hanging so low in the sky it feels like you could reach your hand out and touch them. You haven't seen another car in two hours. You turn on your radio and from a distant AM radio station comes a sound that moves your heart and soul. You're not alone anymore. It's the THORNBIRDS.

Please listen to this first THORNBIRDS CD and see if we attained the mark of excellence for which we were striving. Then, either email us, write us, fax us, call us, send smoke signals, telegraph us, or use carrier pigeons to let us know your thoughts about our music.
PURCHASE THORNBIRDS CD AT:
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  Bengt Pedersen ~ “Pieces Of My Life   
Bengt Pedersen 

Producer’s Notes by Lonnie Ratliff

 

Sometimes when an album I have produced has a strong effect on me I will try to take the time to write down my impressions of what each song means to me or any other thoughts I may have about the music. Not sure how much value that may have one way or the other but I like to think it may help the reviewers, DJ’s and fans that will be listening to the CD in the future have a little more insight as to how and maybe why each song turned out the way it did.

The first thing I noticed about “Pieces Of My Life” after we finished it and listened to it as a completed work was that it sounded like an album should sound. The songs seemed to flow from one to the next like they actually belonged together and all of them were adding another little hint as to who the singer Bengt Pedersen was and what he was all about musically. This don’t always happen when you have songs as diverse as “Hey Porter” to “Seed Catalog”. At first thought you wouldn’t think they would belong together on the same album but as you listen to the album they seem to be as well matched as an old couple who have been married for years. You can’t think of one without the other.

I don’t know that I can pick a favorite song from the album because every time I listen I decide I like another song best. I guess this is a sign that we just may have “Got it right” It sure sounds like it to me. I know that they don’t normally sell CD’s with a “Money Back Guarantee” but after listening to “Pieces Of My Life” over and over I sure can’t hear any reason why Bengt would ever have to return anyone’s money no matter how many he sells. It is albums that turn out like this one that makes all those hours of searching for just the right songs as well as all the time spent in the studio getting everything to sound just right worthwhile and last but definitely not least I gotta say we had one of the best teams of musicians working on this project that you could ever ask for. All in all I can honestly say I could not be more proud to have my name on this CD of Bengt’s and It will always be a piece of my life.

Lonnie Ratliff - Nashville, Tennessee

 
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Lonnie's "Spotlight Songs"
 
"The Night Has No Mercy"
 
Written with Lindy Gravelle I have always thought this Spaghetti Western sounding song could be a deal maker in the hands of an artist looking to sign with a major label.  Being one of the writers I am probably a little prejudiced toward the song but you gotta admit it don't sound like anything that's out there right now.  Those who pay attention to this sort of thing know that you don't make new "Stars" by copying the old ones.  You've gotta come up with something that is just a little bit different.
 
.
 .... Demo sung by Tara Lyn Hart 

 
If song will not play from above LINKS try this one:  http://soundclick.com/share?songid=2797902
.
Haunted by a heartless moon
I know the morning won't come too soon
So I count the shadows as they fall
Tell my troubles to the walls
I always thought that time was on my side
But ever since you said goodbye
 
     The night has no mercy
     It keeps dragging on I'm beggin' for the dawn
     But the night has no mercy
     It won't let me forget you're gone
 
Lying in this bed tonight
I pretend your body's next to mine
Then I .. remember how it used to be
I held more than a memory
So I pray for sleep to ease my mind
But for the one love leaves behind
 
     The night has no mercy
     It keeps dragging on I'm beggin' for the dawn
     But the night has no mercy
     It won't let me forget you're gone
 
Here in this empty room there's nowhere the truth can hide
I'm guilty of still lovin' you ... minute by minute I pay the price
I'll never be free ... as long... As long as
 
     The night has no mercy
      It keeps dragging on ..  I'm beggin' ... I'm beggin'
     The night have a little mercy
     But It won't let me forget you're gone
     
     It won't let me forget you're gone


Copr. Lonnie Ratliff/Carol Hashe/Kent Alexander
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...Demo sung by Ray Barnette
" She Took The Fool Out Of Me"
.

"Click" LINKS below to play
She Took The Fool Out Of Me
She Took The Fool Out Of Me
 
If song will not play from above LINKS try this one: http://soundclick.com/share?songid=6290748
 
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She Took The Fool Out Of Me
(David Dwortzan / Lonnie Ratliff)

.

 

Well I can't blame her in the least for leaving
If I’d been her I would’a left me too
Cause I was running like a wild horse every evening
Just like any self-respecting fool might do

But last night she took the fool out of me
The fool I promised her I’d never be
She took off her ring and she took off in her old red ragtop Mercury
And last night she took the fool out of me

Well tonight I’m sitting home just like she wanted
But tonight the tears in this house are mine
What a fool I was to take her love for granted
And leave her all alone night after night

But last night she took the fool out of me
The fool I promised her I’d never be
She took off her ring and she took off in her old red ragtop Mercury
And last night she took the fool out of me
If she comes back I’ll be the man that she always wanted me to be
Last night she took the fool out of me
She took the fool out of me

(©2008 Did It Again Music (ASCAP) Okie Acres Music (BMI))

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Lonnie Ratliff
Your comments on songs are always welcome and
if you would like to record one of my songs just
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Subscriber Roundup

 

This Newsletter section is meant to help introduce you to some of the other Subscribers to this Newsletter.  Just click on the Photos or Banners to go to their websites where you can read about them, send them and E Mail or sign their guestbooks.  Take a few moments to get to know some of these subscribers.  Lonnie Ratliff 

"Click" PHOTOS below

 

Penni Lawrence ..........Scott Dann......

 

 

Jack Daniels.......... .

Gladewater Opry........Kristen Clark......

 

 

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Lonnie’s Economy Recording Music Package

 

Check out my little side business. For you artists that can’t afford the time or money to come to Nashville to record right now or just need a song or two to finish out your CD or to put up on MYSPACE etc! - I have a website of songs I own the Master Recordings on and I can lease you the music track and furnish you with a Mechanical license so you are 100% legal for $250 - The only catch is that you have to be able to sing them in the key they are recorded in so just go to the website below to find out. They are much like the Karaoke tracks you buy except most of them are original songs though not all of them and you will have a Mechanical License giving you the right to use the songs. You can post it on MYSPACE, YouTube, Sing it on American Idol, Put it on your CD to sell or sell downloads of it on the internet.  You can pay for these music tracks with your credit card if you prefer. I then mail you a CD with the music track and you just take it into your local recording studio and add your vocals and harmony and you got it. If this sounds like something you may be interested in just go to my website below and see if there is anything you like there that is in your key. I have most of the Lyrics posted. Just “Click” on lyrics to see them. Any questions just E Mail me NashvilleShowcase@comcast.net

Visit my website to see what songs are available

 

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The all new KWES AM 1450 is now on the air. Mike Rowe,
local Classic Country Music enthusiast is heading up the
station. Mike has a morning show every weekday morning
from 6am to 10am playing old country favorites like Buck
Owens, Ray Price, Brenda Lee. KWES AM will consentrate on
playing country hits recorded from the 50's to about 1985.
You will hear songs you haven't heard in years.
 
 
 
http://www.kwes.net/  
 
http://www.kwes.net/node/198   The link to Listen Live. Mike is on Live from 6-10am M thru F

 

 

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Buying a house in Nashville ?
 
If you are thinking of moving to Nashville and need to buy a house I recommend you get in touch with my buddy Craig Stahl.
Some of you will know Craig from his 13 years working with Alan Jackson and also as my partner in Okie Acres Music & Studio.
Give him a call when you need property in Nashville or sign up for his Newsletter
I hope you enjoyed our first issue of Roadie Real Estate.com. Please email me your thoughts and suggestions. If you liked it
please hit the forward e-mail button at the bottom of the page. Please visit my website at www.RoadieRealEstate.com I would love t
o help you buy or sell your next home or help you with any of your Real Estate needs. If you are not moving anytime soon,
please keep me in mind to be of service to friends and family. I really appreciate your referals.
 
Craig Stahl "The Roadie Realtor"
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"When It's Too Country For Everyone Else, It's Just Right For Me" 

 Erin Hay

THE COLLECTION "Click" Photo to purchase Erin's CD's THE CIRCLE 

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This is a complete short story by Lonnie Ratliff
Fictional in nature although the geographical areas
are correct and some of the characters names are
real although their actions are complete fabrications.
Other writings by Lonnie at the  LINK BELOW.
http://members7.boardhost.com/Articles/  

 

Excerpt from the forthcoming book The Wordweaver

 Jerry Don Ratliff & The Sandy Springs Bigfoot

.

Sic ‘em Sweetie (Do not pet)

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It was a warm summer night in Atoka County and Jerry had just drifted off to sleep when he was awakened by something disturbing his chickens and he assumed it was probably just a stray dog or a ‘possum messing around out by the chicken pen. He looked out the window and was amazed at how the Oklahoma moon lit up his yard and the surrounding area. As his eyes adjusted to the natural night light from the moon he slowly scanned his huge garden. Jerry always planted a big garden and this year was no exception. The chickens continued to act up and he figured he would have to get up and go outside to see if he could chase off whatever was bothering them. He tried to remember if he had any shells for his .410 gauge shotgun and couldn't remember if he had bought a new box of .410 shells the last time he was at the Wal-Mart in Atoka or not. He was slowly waking up and coming to grips with the fact that he would not be able to go back to sleep until he shut up those chickens. The only way to shut up the chickens was chase off whatever varmint was out there bothering them tonight. About the time he was ready to pull on his pants and put on his work boots a quick movement at the edge of the garden caught his eye. It was huge and it was unbelievable and it was also as real as anything Jerry Don had ever seen in his life. He could hardly believe his eyes and his mind was trying to tell him that whatever he was seeing couldn't be real but there framed in the moonlight looking like King Kong on the Empire State building was the one thing Jerry Don Ratliff had spent his whole life denying. He was looking at a Yeti, a Sasquatch or as it was known here in Kiamichi Country, "Bigfoot"

.

 Jerry glanced at the clock radio on the night stand beside his bed because he knew that what he was seeing was of historical significance. His eyes had won out the battle with his mind and he had no doubts now that this Bigfoot was real, very real. Jerry Ratliff was a no nonsense kind of guy and definitely not an avid follower of the George Noory, Art Bell train of thought. It would probably be a safe bet to say that more than a few of his Atoka County neighbors probably burned a little midnight oil gathered around the old Philco tuned in to the Coast to Coast AM radio show. The fact that Coast to Coast AM had loyal listeners in Atoka County was more than likely true but you couldn‘t count Ratliff in that demographic. Jerry knew because he had publicly scoffed at his neighbors’ stories of Bigfoot sightings on more than one occasion he would need to document every detail from here on out until he brought this incident of the creature in his own garden to a verifiable and documental conclusion.

.

The time on the Ratliff’s radio clock was thirteen minutes after one in the morning. Since Jerry Don was not in the least bit superstitious he never picked up on the fact that in military time it was 13:13 hundred hours. He continued to stare at the dark creatures silhouette in the moonlight and he felt that somehow the Bigfoot sensed it was being watched and for just a few seconds it stared back toward Jerry's bedroom. The slowly it turned and unhurriedly walked back into the woods away from the house leaving Jerry Don more than a little confused at what he had just seen.

.

As Jerry stared out across the empty moonlight yard he remembered that not long ago he had stopped in Farris at Butler’s Grocery Store to check his mail and there had been a group of local folks were discussing the news program they had seen on Channel 12 the night before. It seems that on the News they had reported that 13 year old Morgan Whatley and her 12 year old brother Garret had seen what they believed to be a Bigfoot over on Clear Boggy Creek near Caney, Oklahoma. The news anchor had said that in addition to the young kids sighting that a fifty year old woman, Jackie Marlow, had to be admitted to the Atoka county hospital from an anxiety attack after she spotted the Bigfoot in her own back yard. Jerry remembered that he had commented then and made sure that he spoke loud enough for all the spit and whittle clubbers at Butler’s Grocery to hear him, that it seemed like a silly waste of time for the television station to run such a ridiculous story.

.

Jerry Don had always been more than a little skeptical with these supposed Bigfoot sightings and had always chalked it up to the influence of the 1973 low budget movie called  The Legend of Boggy Creek which was based on a 7 foot tall Sasquatch, Bigfoot type creature that according to legend had terrorized Fouke, Arkansas back in the late `60's. Jerry figured because of that scary movie and the fact that the Boggy River ran between Farris and Atoka people around here figured there could be Bigfoot monsters here also. Tonight outside his bedroom window at 1:13 AM Jerry’s personal Bigfoot beliefs had been turned upside down and as he lay there in the silence he contemplated what he had just seen and decided that he may have been a little hasty when he made light of his neighbors’ Bigfoot beliefs.

.

Jerry was up with the sun, sitting out on his porch with a cup of coffee trying to get a grip on the night before and wondering just how he should handle this situation. This was not the way Jerry wanted to start a new day and he could only imagine the twists and turns that this story was going to take before his life would ever be what you could call normal again. He knew that he would have to have some help and it would need to be someone who understood these things and that narrowed it down to only one possibility. There was one man in this part of Oklahoma who was qualified to determine if the creature Jerry Ratliff saw was a Bigfoot or not and if so the best way to capture or destroy it.

.

“Snake” Weaver was your “Go to man” when you were at the end of your rope and facing things that were way beyond your comprehension. He was a mastermind at thinking outside of the box and had a reputation for getting things done where other men had failed. Jerry knew he would need to drive down to the Weaver mansion on Cold Springs Creek Road and talk to Snake in person about the Bigfoot. Jerry Don decided he’d better call first and make sure Snake had that psycho Doberman of his, “Sic ’em Sweetie”, penned up before he showed up at the Weaver mansion.

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As Jerry headed East on Highway 3 toward Antlers he started to thinking about Snake Weaver and just how little anyone around here really knew about the man. He just seemed to show up back in 1973 about the time Atoka was making the national news with all the cattle mutilation stories.  Snake moved into an old abandon farmhouse North of Lane, Oklahoma up near the old DOK Ranch. He pretty much stuck to himself and although he had no visible means of support he always seemed to have sufficient money for whatever he needed.

.

People said you could drive by the old farmhouse all hours of the night and there would be a light on. Snake never grew close enough to anyone around the community for them to find out anything about what he might be doing all hours of the night. He would live uneventfully up there at the farmhouse for months at a time and then something extremely out of the ordinary would  just happen one day. It might be three or four black limos would drive up and men in suits  would get out and stay at the farmhouse for less than an hour then leave. Once a youngster, too innocent and unafraid, asked him who were the men in the black cars at his house and Snake just told the kid it was some friends stopping by for a game of cards. That answer got out to the community quickly enough and people took the hint that Snake was not about to answer any prying questions so from then on people kept their questions to themselves. Once later on, a neighbor said he saw a military type helicopter flying over and it landed there at Snakes farmhouse, stayed for about 5 minutes then lifted off again and was gone. If Snake was involved in some kind of covert dealings with the government, as many of the locals expected, it must have ended very successfully for him with that helicopter visit. It was not long afterwards Snake moved out of the DOK’s ranch area, bought the land down on Cold Springs Creek Road, and started building the beautiful house that everyone now calls Weaver mansion.  Jerry slowed his old Chevy truck down and turned south off of highway 3 on to Cold Springs Creek Road and headed toward the Weaver mansion hoping that Snake had remembered to pen up Sick ‘em Sweetie.

.

Snake was standing out on the wrap around porch of Weaver mansion when Jerry pulled his old Chevy pickup into the driveway and noticed there was no sign of the psycho dog so Jerry assumed it was penned up out back. When he opened his pickup door to get out Sic ’em Sweetie’s loud barking told Jerry he was right about the dog being penned up and he couldn’t help but wonder how strong that pen was.

.

Snake was not a man of many words so they didn’t spend a lot of time discussing the weather or each other’s health. Snake simply asked “What’s your problem”? Jerry explained what had happened the night before and what he believed he had seen out in his garden. Jerry then asked him if it was possible that it could have been one of those Bigfoot creatures he had heard about, all the time making sure Snake was aware that he was more than a little doubtful of their alleged existence. As sometimes will happen in the light of a beautiful Oklahoma morning Jerry’s doubts about what he had or hadn’t seen were returning.

.

Snake had been listening intently, never bothering to ask even a single question or comment until Jerry Don expressed his doubts about the possibility of a Bigfoot. Snake Weaver didn’t answer the question directly but just said. “There’s a lot of things out in these woods around here that people don’t know about or probably want to know about.” Snake then told him that he would bring ol Sweetie up to Jerry’s house that night and check around where Jerry had seen the creature. Jerry thanked him and headed back toward home wondering if he would just as soon have a Bigfoot loose around his house as that Psycho Sic ’em Sweetie or even Snake Weaver come to think of it.

.

Just about dusk Jerry heard the unmistakable bark of Sic ‘em Sweetie from the woods just south of his garden and he was glad to know that Snake Weaver was on the trail of the Bigfoot and even happier that Snake didn’t see any reason for Jerry to join in on the hunt. Normally Jerry would have been glad to go and join any adventure but something about the thought of being out in the woods at night with that psycho mutt and a Bigfoot moved this hunt into a different league than your typical coon or ‘possum hunt. Jerry told himself tonight’s adventure was better left to those who understood and possibly even relished such things.

.

Jerry Don would clean his 30.06 rifle tonight just to be on the safe side because he figured that little old 4:10 shotgun of his would just be barely big enough to make that Bigfoot mad. When his rifle was cleaned he flipped on the ten o’clock news to see what the weather was gonna do and find out if any of his crazy brothers had been thrown in jail today. The news was uneventful so Jerry turned in for the night.

.

The Bigfoot had heard the human hunter’s dog as it had trailed off into the woods heading south earlier this evening so it had no fear now of being attacked by that crazy mutt. Bigfoot slowly approached the window where the Ratliff human bedded down with his female mate at night. There was a very strong bond between this particular Bigfoot and this particular man that would eventually come to light in this small Southeastern Oklahoma community once the timing was right. The creature was not here tonight to harm Jerry Don Ratliff or his mate but was drawn here by a much higher purpose. Some would say justice was being served in some sort of convoluted way in Atoka County.

.

The Bigfoot pressed it’s face to the bedroom window and started pounding on the walls of the house. Then it let out the most terrifying blood curdling scream that had probably ever been heard around Farris, Oklahoma. Jerry Don sprang up from his bed and looked directly into the face of this God awful creature at his window. Then the Bigfoot was gone just as the lights of Snake Weaver’s pickup flooded over the Ratliff house and Snake got out of his truck, walked up on Jerry’s porch and knocked on the door. Jerry started pulling on his pants and hollered at Snake “Hang on, I’m getting up”.

.

When Jerry unlocked and opened the door he told Snake that the Bigfoot had just been at his bedroom window beating on the walls but it had run away he thought. Snake appeared, to Jerry, to be pretty shaken up himself. Snake sat down at the kitchen table and then he told Jerry that him and Sic ‘em Sweetie had caught up with the Bigfoot several miles south of Jerry’s house and Snake had watched as the Bigfoot attack and killed Sweetie like she was a little French Poodle.

Snake said that after he took Sweetie’s body back home he got to thinking that maybe the Bigfoot might have circled back and headed for whatever it was at the Ratliff place that had attracted it in the beginning. Snake said the Bigfoot’s appearance at Jerry’s bedroom window tonight answered that question. Snake told him “I don’t understand why, but that creature is after you personally, Jerry“. Jerry’s wife Cindy put on a pot of coffee as it was obvious there would be no more sleep for anyone tonight. As it would turn out there would be no sleep for the next couple of nights either.

.

While they were having a cup of coffee and trying to get some kind of plan together they came to the conclusion that until this Bigfoot was either captured or killed Jerry would need to stand guard with his 30:06 rifle every night. Snake said since it didn’t seem to show any fear of man or anything else for that matter that they couldn’t even take for granted that Jerry and his wife would be safe from the Bigfoot during the daylight. If Jerry left the house he should take Cindy with him. When it became daylight they would also need to warn all their neighbors this thing was on the loose and no one would be safe until they had put it out of commission. Snake told Jerry he had an idea which way the Bigfoot had been headed so he would start trying to track him and he would call Jerry on his cell phone the minute he had any news. In the meantime he suggested Jerry and Cindy drive around the Farris and Lane communities and put up posters about the Bigfoot being sighted at their house. They should also make sure to stop in Butler’s Grocery in Farris and tell everyone there to help get the word out about this emergency situation. Jerry could just imagine the ribbing and the “I didn’t think you believed in Bigfoot” comments he would have to face but his neighbors’ safety was worth more than whatever embarrassment he would personally be forced to endure.

.

 

It had been two nights now that Jerry had sat up all night on the front porch at his house, drinking coffee to stay awake and keeping his loaded 30:06 within arms reach. It was starting to take its toll on his body and the only sleep he was getting was after Cindy got up in the morning and made their breakfast. He would eat and then lie down on the couch with his rifle leaned up against the wall and Cindy would keep an eye on the edge of the woods. They believed the Bigfoot would probably come from that direction if it decided to return. Unfortunately Jerry would just barely get dozed off and the phone would start ringing with neighbors wanting to get the latest Bigfoot report from him. Some of his neighbors still couldn’t resist giving him a hard time about his former belief that Bigfoots’ were all a figment of the imagination.

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Finally the phone rang and it was the call Jerry had been waiting for. It was Snake Weaver and he had captured Bigfoot down south of the McLeod Honor Farm in Choctaw County. Snake said he had given up tracking the creature for the morning and was heading back home to get something to eat when out of no where it crossed the road in front of him. He shot the Bigfoot but the bullet had just glazed its head and knocked it unconscious. Snake said he realized that the creature would be worth a fortune, which he would split with Jerry, if they were able to bring it in alive. Snake was in the pickup he used on his ranch and he had been building fences so he had his cattle racks on the truck and a set of come-a-longs behind the seat so he just backed up to the critter and used the come-a-long to hoist it up into the truck bed where he chained it to the cattle racks. It was the perfect storm for capturing a Bigfoot, Snake said. All they needed to do now was document the capture and wait for the offers to buy it from them to came rolling in.

.

Snake told Jerry the creature had come to but it was still too groggy to cause him much trouble and he should be a Jerry‘s house with it  within the hour. Snake told Jerry to get on the phone and get as many neighbors as he could to come to his house and bring their cameras as well as video cameras. He said Jerry should also call the Atoka County Times and The Antlers American and tell them to get a newspaper reporter out there. Snake stressed that every person at Jerry’s house who saw him drive up with the Bigfoot chained in the back of his truck would be a potential witness who could testify that the Bigfoot had been captured by them. These eye witnesses would prove the Bigfoot was Snake and Jerry’s property in case someone later tried some legal mumbo-jumbo to claim it once they saw how much money it was worth. Jerry assured Snake his yard would be as crowded as the Darwin Cemetery on Decoration Day when him and the Bigfoot arrived. Jerry said “we’ll see you partner” as he hung up from Snake and began what was something akin to a Paul Revere ride through Atoka County, only this time it was by telephone.

.

The cars had been pulling into Jerry’s house and parking all over the yard and out in the field ten minutes after he made the first phone call. The reporters from the newspapers were interviewing anyone that would sit still long enough for them to stick a microphone in front of them. It had been almost an hour since Snake’s phone call and then there it was. Jerry saw Snake Weaver’s pickup coming down the highway, slowing down and turning on his blinkers to turn into the driveway. The nightmare was almost over and low and behold there standing up in the back of the truck holding on to the cattle racks was the creature that had caused all Jerry’s problems and was soon to make him and Snake Weaver mighty wealthy men. It was the Sandy Springs Bigfoot as people were now calling it.

.

The crowd was going crazy and even though the creature was still too far away to get a good look the people were running their video cameras and snapping photos as fast as they could. Jerry was transfixed by the sight of the creature as it grew closer. It was not near as big as he thought it would be and to tell the truth the closer it got the less scary it seemed. Then Jerry Don Ratliff figured out that it was nothing more than someone in a gorilla suit. What he couldn’t figure out was why the people could not see it was some kind of sick hoax and why they were all still running their videos although a lot of the cameras now seemed to be pointed at Jerry.

.

Snake parked the truck right in front of Jerry and as he got out of the drivers seat the fake Bigfoot rattled its chains and let out that blood curdling yell that Jerry was familiar with from a few nights before. The crowd was still cheering the phony gorilla on and everyone except Jerry seemed to be having a big old time. As someone took the gorilla head off the suit and revealed that it was really Jerry’s brother Gary Ratliff underneath the suit Snake asked everyone to quiet down for a minute. Snake then asked Jerry to look at his watch and tell him what it said. Jerry took a quick look and said it is 1:13 PM and then Jerry Don remembered it had been 1:13 AM a few nights ago when he first saw the Bigfoot in his garden but he racked his brain and could not tie that time of day or night to anything significant. Snake saw Jerry was still confused and he said “No Jerry, not the time, look at the date” and there it was as big as a Bigfoot’s face staring in your bedroom window” He didn’t even bother answering Snake when he saw the date on his watch was April 1st.

.

Epilogue:

The legend of Jerry Don Ratliff and the Sandy Springs Bigfoot has grown a little larger as time goes by and one of the most surprising facts about it is that you can now ask anyone in Atoka or Pushmataha county about the incident and even though it was believed at the time that only three or four people were in on it and knew the Sandy Springs Bigfoot was a hoax, now everyone you talk to claims they knew it was an April Fool’s joke all along. Cindy Ratliff  has even hinted around  that she was in on the joke also. Jerry don’t know who he believes but at least for the time being he once again no longer believes in Bigfoot.

 

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"Click" PHOTO to listen to
" Country Music's King "
by
Erin Hay
.
Featured song is Erin Hay "Country Music's King" written by Jon & Jerry Gray and is the current release on Gary Bradshaw's  Western Heart Promo. compilation CD. gbradshaw3@cox.net
Produced by Lonnie Ratliff NashvilleShowcase@comcast.net
 
List of "Studio Pickers"
 
Drums: Steve Holland
Upright Bass: Dow Tomlin
Piano: Rodger Morris
Guitars: Vaughn Lofstead
Steel Guitar: Perley Curtis
Fiddle: Jim Unger
Harmony: Christy Cornelius
 
This song will be on Erin's next CD entitled "Blue Country Song" which we hope to have finished this fall.
 
Send any comments about "Country Music's King" to Erin atErinHay2002@Yahoo.com
 
 
 
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Artists looking for original songs click on my banner and check out my songwriter website with 2 pages of original songs.  If you hear something you like and need more info or a mechanical license to record it just contact me. 
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