Lonnie Ratliff Country Music Newsletter
June 29th. , 2008
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"Spotlight Artist"
" LeRoy Van Dyke"
"click" PHOTO below for website
"Click" Yellow Speaker below to play songs by
LeRoy Van
Dyke
Leroy Frank Van Dyke (born 4 October 1929 in Mora, Missouri) is billed as "The World’s Most Famous Auctioneer".
Leroy was catapulted into country music recording fame in 1956 by his own composition "Auctioneer," which has to date sold an estimated three million records. He wrote the song about the life of his cousin, National Auctioneers Association Hall of Famer Ray Sims, also a Missourian. Leroy later had the lead role of a budding country music performer in the movie What Am I Bid?, in which Ray Sims played himself as an auctioneer.
In his fifty years plus career, Van Dyke has recorded some 500 songs, dozens of them making the charts. His record of "Walk On By" (1961) was named by Billboard Magazine in 1994 as the biggest country single of all time, based on sales, plays and weeks in the charts. It stayed at number one for nineteen weeks, and in all, charted for 42 weeks, selling approximately three million records.
Other Van Dyke notable hits were "If A Woman Answers," "Black Cloud," "Big Man In A Big House," "Anne Of A Thousand Days," "Happy To Be Unhappy," "Night People," "Be A Good Girl," "Dim Dark Corner," "Five Steps Away," "How Long Must You Keep Me A Secret," "Afraid Of A Heartache," "Big Wide Wonderful World Of Country Music," "Birmingham," "Just A State Of Mind," "Mr. Professor," "My World Is Caving In," "The Other Boys Are Talking," "Poor Guy," "Roses From A Stranger," "Texas Tea," "Who’s Gonna Run The Truck Stop In Tuba City When I’m Gone," "Wrong Side Of The Tracks," "Your Daughter Cried All Night," "Your Money," and "The Life You Offered Me."
He was co-host, with Bill Mack, of the Southern Baptist Radio/TV Commission-produced "Country Crossroads" radio show for ten years, and was later joined by a third co-host, Jerry Clower. This became the most widely syndicated radio show in country music history.
Van Dyke continues a full performance schedule, traveling from his office/home complex on his 1,000-acre (4 km²) ranch in west central Missouri near Sedalia. He is a member of the National Auctioneers Association Hall of Fame, is active in many music industry organizations and, as a sideline, raises premium quality Arabian mules. All aspects of his Leroy Van Dyke Enterprises are managed by his wife, Gladys, former legal secretary/court reporter. Their son Ben, plays lead guitar with all Van Dyke performances.
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A message from Lonnie Ratliff
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Singing Contests "And the Winner Is" By Lonnie
Ratliff
I have never been a big fan of singing contests, but with American Idol, Nashville Star and Colgate Country Showdown, along with numerous other contests, producing such a large amount of our top selling country artists today, I have had to reevaluate my position on this. I have to say that the bigger contests, where millions of real fans end up choosing the winners by their phone in votes, beat the heck out of the way it has always been done. Until these big contests became so influential, future stars were brought into the business by music lawyers, managers or some other movers and shakers on Music Row who had never been more than a mile or two away from 16th Avenue in twenty years. They have always tried to convince us that they know what America wants to hear, while glossing over the fact that they were all right there in agreement saying that Garth Brooks just didn't have what it takes and instead of wasting their valuable time he should just pack his bags and head on back to Yukon, Oklahoma.
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Another thing that contests like American Idol do is bring in an artist with enough clout after winning that they are not going to be able to manipulate that artist away from the music they want to do. I would imagine the discussion would go something like this when you have a big winner like Carrie Underwood come into Nashville to sign with a major label after winning American Idol. The all knowing producer and label head probably tells her they are ready to sign her, but they plan on cutting a Polka album or maybe a Tejano album on her because they "feel" that is what will really fit her voice and will sell. This is when Ms. Underwood would more than likely inform them that she has over six million fans who voted for her the way she is and are out there at this very moment with their credit cards just waiting to buy 6 million of her CD's, and they want them to sound like the Carrie Underwood they voted for. This will probably be the end of the label's plans for artistic control because they know she can walk across the street to their competition and sign a deal with no strings attached. I am guessing this is about the time that all discussions of making Carrie Underwood into a Music Row created image would be shelved.
I remember when I first came to Nashville, there was one of the older, retired music executives that said the music business needed to get back to doing their jobs before they ruined the business. It was his belief that singers should sing, songwriters write, publishers publish, producers produce records and the labels sell the records. That way you have the best people working at all levels and don't let the "Peter Principle" kill your careers and business because you got a little too greedy.
Now getting back to the subject at hand, as an artist, getting to the finals of one of these big singing contests is a monumental task to say the least. You are probably going to do a lot of smaller contests to get there or maybe have to attempt the bigger contests more than once. This is going to mean you need to understand how contests work and how little control you have over anything they do or what they decide. Always keep in mind that any artist can look good as a winner, but a real "star" even looks good when they lose. Put winning out of your mind and sing for the crowd. Just tell yourself that you don't have a prayer in Hades of winning but you are going to have fun and leave that contest with some new fans. There is no way I can write the following into a readable paragraph so I will just list some of the things I have picked up on over the years from being around singing contests.
1. Someone is making money off this contest, and they probably could care less who wins or loses most of the time. They just want to put the butts in the seats and sell some booze and hot dogs.
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2. When it is all said and done, let's face it, it is mostly a popularity contest at some level or the other - not something to be taken very seriously, much like those online charts and contests, where you harass all your family, friends and totally innocent strangers into going to vote for you. Serious artists don't put much stock in the end results. At least in the singing contests, there's a chance you can make more fans than enemies.
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3. There is going to be at least one local favorite who has brought enough fans and family to the venue to raise the roof when they walk out on stage. Don't try to compete with him or her on a personal level but instead say something to their fans like " I met him or her earlier today and they seem to be a very nice person and I predict they are going to have a great future in country music." This takes you out of the fans' line of sight because you said something nice about their hero. Now they will get back to cheering on their hero and hating every other singer in the contest except you.
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4. Judges: Every contest is normally decided by about 3 judges. This is very important for you to understand and will make losing a lot easier (keep in mind that my article is not intended to teach you how to win a contest, but just how to survive and keep from making a fool of yourself if and when you lose.) Remember in all contests, if you replaced one of the judges you would change the winner. Once again, this is something you have absolutely no control over. One of these judges is usually a local DJ, one may be a music teacher or music professional of some kind, a contest winner from a previous year and maybe a songwriter or maybe just someone who is a big country music fan. There is no way you can know what kind of music they will all like because they will be all over the map with their opinions. Don't gear your performance to something you think will get them to vote for you. I know this is a worn out cliché, but just be yourself. OK, this is something you probably never thought of before, so keep it in mind before you go bad mouthing off at the judges after they make some idiotic decision, which sooner or later they will do if you keep entering contests. These judges all have something to do with the music that goes on in your community, and some of them are probably on the fair and festival boards that decide who gets hired to play at the county fair, the blackberry festival or the annual cow chip throwing contest. They are the people in your area who will get called when someone needs a band for a wedding or a family reunion. These people are going to be in your life for a long time more than likely, and they have long memories. You should always try to remember that probably 95% of the people you meet when you are out there singing can't do a thing in the world to help you out but 100% of the people you meet have the ability to say something that can hurt your career. Don't give them a reason to dislike you.
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5. Song choice: Please think about this before you do the current favorite contest song. What I am calling "contest songs" are those songs that get sung at every contest from "Desperado" to "Wind Beneath My Wings," "Crazy" or "Broken Wing." If you are the only one who sings one of these contest songs in the competition then you are only competing with the artist who had the "hit" with that song. If you are the second one who sings it, you are competing with the other contestant that sang it plus the original artist. If you are the third one in the contest to sing it, the judges are going to be so sick of hearing that song, it may not make any difference how well you sing it because they have already tuned you out.
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6. Band: You have to remember this, there's no use getting mad at the band no matter what happens. They are as proud of playing their instrument as you are of your singing, and they did not get up that morning and plan on messing up your song. The odds are they don't even know who you are. If they miss a chord in your song, get it too fast or slow or make some other mistake, it is just that, a mistake, and it's just the luck of the draw that it happened on your performance. You can minimize this by choosing simpler songs that they will probably be more familiar with. If you plan on making a career in singing, you are probably going to have to play in your local area to start out, and let's face it, there's not an unlimited supply of good pickers around, and the bands at these contests are usually made up of the best pickers available. You are more than likely going to be working with them again or some of them may end up being in your personal band someday. Not a good idea to throw a hissy fit and burn a bridge today that you will need tomorrow. If the band makes a mistake, whoever did it already feels bad enough, so just let it go at that.
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7. Be really careful about attempting to get any audience participation for your singing at one of these events. A lot of those people out there in the audience want someone else besides you to win. Maybe it's their brother, girlfriend or grandson, so that old "Let's all put our hands together and clap along to this song" or "help me out when we get to the chorus" suggestion has a real good chance of falling flat on its face. This is not worth taking the chance I would say. This next one is probably the kiss of death. Please don't seed the crowd with a few of your fans and have them try to instigate a standing ovation by standing up at the end of your song. If you live to be a hundred years old, you will probably never forget the humiliation you feel when this ingenious plan goes down the crapper, taking you and your former friends with it. Just don't even think about doing it.
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8. When it is all over and you've lost to some little no-singing twit who is the niece of one of the judges, which eventually is going to happen, you will be at that point in your career where they test the metal and see what you are really made of. How you conduct yourself at this moment is going to tell you if you have what it takes to be a Garth Brooks or a Dolly Parton. Most of the losers in these contests, as soon as the winner is announced, will take their hurt feelings and damaged egos and hit the door, getting out of there as fast as they can. The real winners that night, and I don't mean the one who gets the trophy and the check, will be the singers who congratulate the winner and go introduce themselves to the judges and tell them they're glad they weren't the ones that had to pick the winners because there was a lot of great talent on that stage. No need to be phony about anything, just adopt the attitude that the contest is over and done with and move on to your next obstacle. Walk around in the crowd, and if some fan comes up and tells you they think you should have won because you were the best singer in the contest, just laugh and tell them you are going to try to get them a job as judge next time and that it is worth more than any trophy to just hear them say they liked your singing. Most singers won't be able to do this, and that is one reason why artists like Garth and Dolly don't come along every day.
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That's about all the things I can remember about singing contests off the top of my head, so now I will tell you a little anecdotal story about a singing contest that I am familiar with.
.Erin Hay told me she was going to enter a singing contest awhile back that they were having at the Little Nashville Opry in Nashville, Indiana, and I was more than a little surprised because she never showed any interest in being in a singing contest. I asked her why the change of heart? She said that she wasn't interested in competing or winning the contest, but she wanted to use it as an audition so the club owners could hear her sing and maybe she could get a job playing at the club. The Little Nashville Opry caters to a more traditional country crowd, and that is exactly the kind of music Erin sings for those not familiar with her. Erin said she had figured out that they would have a good back-up band there to play for the contestants and that most of the singers in the contest would be playing the more modern country songs that were on the radio, so she would just go sing a couple of old country standards, and though she didn't figure she had a shot at winning, the club owners could hear that she sang the kind of music their regular crowd liked and maybe she could get a gig singing there. Erin said it was a typical contest and sure enough everyone except her sang the current radio hits. Four different girls sang Martina McBride's "Broken Wing," and when it was Erin's turn, she just sang the old Leroy Van Dyke standard "Walk On By" and Jack Greene's "There Goes My Everything." The back-up band was the regular house band from the Little Nashville Opry, so they had probably played those two songs thousands of times, and they really sounded good. She said as soon as she finished singing, she located the club owner and got to talking to her about maybe coming up there and playing a regular gig. Not anticipating she would place even a distant third, she said she almost fainted when they announced she was the winner of the contest. Erin said she will always suspect they gave it to her just because she didn't sing "Broken Wing." The icing on the cake was that night they hired her to come back and open a show for one of her idols from the Grand Ole Opry, Connie Smith. She also got $500 for first place. That was her one and only singing contest as far as I know.
" Nashville Nightlife Internet Radio Show "
"Got things to do and places
to be ?"
by
Lonnie
Ratliff
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CDBABY - If you have a CD for sell and you are serious about online sells then it has to be on CDBABY This costs you $35 but if you are going to sell anything online this is your best bet. This is one of those website you pretty much need to be on and there's no way around it. Every time anyone hears you on the radio and wants to buy your CD the first place they go to look for it is CDBABY if you are an indie artist.
.MYSPACE - There are over 236 MILLION websites on MYSPACE. It is free and if you are willing to put a little effort into it you can probably make a living from this one website. If you are one of those artists that just like to stick your music up anywhere you can and then just sit around waiting for something to happen this place won't be of any value to you but if you network it a little everyday there is no limit to what you can do here.
YouTube (Free) - Unlimited potential with YouTube. You can make some decent SlideShows here just using the MovieMaker that is already in your computer. Here's 37 SlideShows I made with MovieMaker and put up on YouTube
http://www.youtube.com/profile_videos?user=nashvilleshowcase&p=r.
iTunes (Free) - This is a website I use a
lot. You have to go there and download their little program
This is the easiest way to keep up with what kind of music is out there. If you need to learn the latest Alan Jackson or Carrie Underwood single so you can sing it at your next gig just go to i-Tunes and buy it for 99 cents instead of having to buy the whole album. Here's another good use for it. If there is another indie artist you keep seeing on the Charts and you wonder why they are doing better than you are just go buy one or two downloads of their music and listen to what they are recording and you may be able to figure it out and adjust what you have been doing and be a little more successful.
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Poem written by
Subscriber from Canada ~ Guillaume
Bertrand
Nashville showcase newsletter
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Guillaume Bertrand
Hi everybody, I am born
In Repentigny, Canada and now i'm in Otterburn Park and Repentigny so it's
extremely far away from Nashville but since I heard Melinda Myers (www.melindamyersmusic.com) I
began to love Nashville's singers! Kathy Ashworth and Kelly Archer are two
excellent singers and songwriters too! I'm so glad to meet Lonnie today!
He's really nice and he is extremely kind when you know him well! A
talented singer too... well I write poetry a lot and i'm inspired by the
tragic facts in life or great things that happen but i'm French Canadian so
they are all in french! The one I wrote to Lonnie is not my first in
English! Hope you like it guys, if you want to email me, just send Lonnie
an email and he will forward it to me, I always respond to very nice
comments, not to spammers! thank you
Guillaume
Bertrand
Please drop by www.myspace.com/woodywoodruffcowboypoet and listen to my new poem PROUD TO CALL HER HOME not since John Wayne recorded America..Why I Love Her has one like this been released. please share it with all and let me know your thoughts.
thanks Woody
Woodruff
Tim
Chesney
This Newsletter section is meant to help introduce you to some of the other Subscribers to this Newsletter. Just click on the Photos or Banners to go to their websites where you can read about them, send them and E Mail or sign their guestbooks. Take a few moments to get to know some of these subscribers. Lonnie Ratliff
Dale
Watson...
.......Jayme Lynn Scott..
...
________
Vickie
Cross...
.........Tim
Cooper .
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Jack
Greene...
..................Billy
Stone....
...
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"When It's Too Country For Everyone Else, It's Just Right For Me"
Erin Hay
THE COLLECTION "Click" Photo to purchase Erin's CD's THE CIRCLE
"Click" Yellow Button below to play
Lo-Fi Samples from THE CIRCLE CD
Lo-Fi Music Samples from this 23 song CD
"click" on EBAY Logo below
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Excerpt from the forthcoming book The Wordweaver
Sharecropper’s Rose (Final Section)
By
Lonnie Ratliff
Sharecropper's Rose (Final Section)
By
Lonnie Ratliff
There it was, the rose bush, pretty much as Clayton remembered it from over forty years ago, when his mom had stuck a single cutting in this almost barren Oklahoma ground and carried water from the well as it fought for its meager existence that first year. It never was much of a rose bush, or at least nothing like the pictures of the ones shown in the seed catalogs they would get in the mail every year. As best Clayton could remember it only produced a bumper crop of the beautiful flowers that one year. Other than that one time it was pretty much like the woman who planted it and the sharecropper kids that chased the cattle away from it, always looking like they were both only one more bad year away from disaster.
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Never more than a few roses grew on the bush, but they always managed to bloom right when they were needed the most. Although Clayton tried to build a little fence for his Mom around the bush to keep the cattle and other varmints away from the roses, it was usually a losing battle. As he stared at the bush now he thought to himself, this old sharecropper's rose bush is a living monument to a time long past and has pretty much served it's purpose on this earth quiet honorably. Noticing the scraggly condition it was now in, he figured that the lonely rose bush at best had just one or two more blistering Oklahoma summers left on this earth. Like a lot of things that had grown on this farm, it had lived its life right there on the edge, but at least it had always found the strength to keep going when it needed to and someone was depending on it.
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Clayton remembered the first time the rose bush had come through for him as clear as could be. It was his graduation from Moyers High School and mom's rose bush came up with that one perfect flower for his date for the prom. The next time of any significance he remembered when the rose bush was called in to duty it offered up just enough roses for a bridal bouquet for his oldest sister's wedding. Those two times the sharecropper's rose bush acted just like a trusted member of the family, producing just enough roses for the job at hand and saving Clayton and his sister from embarrassment. The third time they turned to the rose bush for flowers for the family was as far as he could tell the reason that God probably put that rose bush on earth and gave his mom the strength to draw water from the well every day of those hot summers and carry it to the corner of the yard where she would water it and manage to keep it alive for the future job that lay ahead.
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As his mind drifted back to that last winter he spent here on the old Tarkington farm, he almost shivered as he remembered just how uncommonly cold that winter was. His and his brother's little lean-to bedroom that had been built on to the house had cracks in the walls that were big enough to throw a cat through. They had picked up some empty cardboard boxes when they were in Antlers and ripped them apart and tacked them up like wallpaper and that kept a lot of the cold wind out. Luckily their bedroom was on the south side of the house or they might have frozen to death. No one had time to think about their mom's rose bush during that winter, and even if they had, there was nothing that could have been done. The sharecropper's rose bush appeared to be just another lost cause in a family that was used to lost causes.
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Spring came through like gang busters, and lo and behold one day, Clayton's mom announced that the rose bush they had given up for dead was just loaded down with rose buds. As much as she loved that old rose bush, you would have thought she would have been more excited about it looking like it was going to have a bumper crop of roses that year. From the safety of all the years that had now passed, Clayton realized that his mom must have sensed a dark omen of things to come that spring as she saw the rose bush with all those young buds. That was just not the way a rose bush planted in Pushmataha county soil and living under the worst of conditions was supposed to act. Clayton remembered how she would just sigh when one of the little kids would break a toy or some other knick knack and then say "We can't have nothing". It seemed to Clayton that life by then had probably beaten his mom down so many times that even on a beautiful spring day after a long hard winter she could not let herself believe that a sharecropper's wife living out on the Miller Road could even have a rose bush full of beautiful roses. That was a hard truth to face but it brought him much closer to her at that moment, sitting by a rose bush she had planted over forty years ago, than they had ever been in life.
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Now he could see that destiny had already chosen the destination that spring, when the rose bush was loaded with buds and preparing for its triumphant summer filled with flowers. They were all just along for the ride, never suspecting it was the end of the line for life as they had known it up until then. Clayton's last memory as he got up from the ground by the rose bush was that his mom never got to see all those beautiful roses the one year that the rose bush produced its bumper crop. That was the summer that, even though she was not that old, she came to the conclusion that she just couldn't take any more of a life where you just can't have nothing. One morning as the sharecroppers rose bush came alive with the roses that would cover her grave, she refused to open her eyes and her battles were over.
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This is the second and final half of the Sharecropper's Rose story. As usual your comments are welcome. Just send me an E Mail at:
Copr. 2008 Lonnie C. Ratliff
Acknowledgments: Erin Hay for the original idea to flesh out this partially true story. We are now writing a song together with this same title..
Linda Carter & Bill Littleton for making sure my original hen scratchings and poor spelling became readable.
Thanks for convincing me I had something worth saying to Bill Littleton, Jim Carter and Dick Damron.
(Section Two)
Artists release your songs worldwide on
Gary Bradshaw's WHP Compilation.
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RhonBob Promo for Country & Gospel
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